
THEATRE WORKS AND TH'UNGUARDED DUNCAN PRESENT
Timon of Athens
BY WILLIAM SHAKESPEARE AND THOMAS MIDDLETON

28 OCTOBER - 7 NOVEMBER | THEATRE WORKS
BY WILLIAM SHAKESPEARE AND THOMAS MIDDLETON
Following their production of Titus Andronicus at Theatre Works in November 2025, Th'UnGuarded Duncan now co-present Timon of Athens, which was developed as part of the Prague Shakespeare Company's 2025 Summer Shakespeare Intensive program.
It is highly physical and ensemble based. This was Karl Marx’s favourite Shakespeare, as it examines the value of money and its effect on human relationships in society. The play was co-authored by Thomas Middleton. Other themes explored within this dark satire include use versus service and giving/embracing in opposition with repulsing/rejecting. In this production, the tumultuous world of a commercial restaurant reflects the world of Timon: it is highly charged, it is precipitous in its potential future, and is one of the hardest hit industries when a society is in economic crisis.
The current US administration, and indeed the global capitalist system, is constantly focused on the creation and sustainability of wealth, often at the expense of the wellbeing of the general public. As the use of money and the dishonesty it seems to promote is a major theme of this play, it seems very relevant in today’s economic climate: particularly in regards to the current “cost of living crisis”. It is easy to draw parallels between our own period of late stage capitalism and the many calamities stemming from it (class/racial/religious prejudice, climate disaster, territorial conflicts) and the world of the play. It also poses the ever pertinent question, as explored in many works of Shakespeare: what constitutes effective leadership?
Timon, exceptionally wealthy and unbridled in their generosity, wines and dines the elite, serves as a patron to the arts and magnanimously funds the state. Convinced of the loving nature of humanity, he gives and keep on giving. Surely if Timon accidentally gave it all away his friends would be there to return the favour? This darkly funny, spin on Shakespeare’s riches to rags anti-capitalist satire will wow audiences with its confronting relevance to our lives today.
VENUE
THEATRE WORKS
14 Acland Street, St Kilda
DURATION
90 minutes
WARNINGS
Themes of suicide
ACCESSIBILITY
Theatre Works is a wheelchair accessible venue. A full access guide will be available closer to the date.



DATES + TIMES
Wednesday 28 October - 7:30pm (Preview)
Thursday 29 October - 7:30pm (Opening)
Friday 30 October - 7:30pm
Saturday 31 October - 7:30pm
Tuesday 3 November - 7:30pm
Wednesday 4 November - 7:30pm
Thursday 5 November - 7:30pm
Friday 6 November - 7:30pm
Saturday 7 November - 7:30pm

Theatre Works has a lockout policy for latecomers. Please arrive at least 15 minutes early to ensure you don't miss out.
Refunds will not be issued to latecomers.
TICKETS
FULL PRICE
CONCESSION*
PREVIEW
$48.00
$38.00
$30.00
*Seniors, Student, MEAA, Health Care and Low Income card holders
Shows in the WITH THEATRE WORKS stream align strongly our values and missions - these works we co-produce and co-present with independent artists and/or companies. Projects within this stream receive significant producing, marketing, PR and production support in addition to free use of the venue and a generous box office split.

CREDITS
CREATIVES
Claire Nicholls
Kevin Hopkins

MEET THE ARTIST
TH'UNGUARDED DUNCAN
Th’Unguarded Duncan is a collaboration between Kevin Hopkins and Claire Nicholls. They have worked together since 2018, co-directing 9 Shakespeare productions, in Melbourne and in the Czech Republic, as well as productions of 3 contemporary plays. Their relationship with the Prague Shakespeare Company has enabled them to explore and develop Shakespeare in a unique way as Australian theatre makers. The artistic and cultural input from European artists, along with the experience of their own practice, have given them the means of presenting in a distinctly physical and ensemble based style. The support and artistic freedom offered by Prague Shakespeare Company has been vital in choosing to present on home soil. This production will further that international relationship, inform how this production is made and, in so doing, expand their practice and create further opportunities for international collaboration.

