
THEATRE WORKS PRESENTS
Masterpieces of the Oral and Intangible Heritage of Humanity
BY HEATHER MCDONALD | DIRECTED BY NADIA TASS

21 JULY - 1 AUGUST | THEATRE WORKS
BY HEATHER MCDONALD | DIRECTED BY NADIA TASS
Inside a war-ravaged museum, now a makeshift prison, three women are forced together: a soldier shaped by violence, a nurse guarding her secrets, and an art restorer fighting to protect what little beauty remains.
As the walls close in, each must confront the cost of survival, the power of truth, and the fragility of humanity itself.
MASTERPIECES OF THE ORAL AND INTANGIBLE HERITAGE OF HUMANITY is a tense, poetic and unflinching examination of what endures when everything else is lost: art, faith, compassion, and the will to hope.
In a world once again torn by conflict and division, this story feels urgently of our time. It asks: when history is erased, who will remember what made us human?
VENUE
THEATRE WORKS
14 Acland Street, St Kilda
DURATION
WARNINGS
Flashing lights and loud noises of explosions
Physical Violence, fight scenes and simulated injury
Themes of war, torture, violence
Images of war
ACCESSIBILITY
Theatre Works is a wheelchair accessible venue. A full access guide will be available closer to the date.

"The production took my breath away with its verisimilitude about human cruelty and human decency"
"Under the penetrating direction of Nadia Tass, Masterpieces is bracing and unsettling"
- DC Metro Theater Arts
"A theatrical experience that is thought-provoking and downright wonderful"
"Possibly one of the best plays you will see all season"
- BroadwayWorld.com

DATES + TIMES
Tuesday 21 July - 7:30pm (Preview)
Wednesday 22 July - 7:30pm (Preview)
Thursday 23 July - 7:30pm (Opening)
Friday 24 July - 7:30pm
Saturday 25 July - 7:30pm
Tuesday 28 July - 7:30pm ($35 Tickets)
Wednesday 29 July - 7:30pm
Thursday 30 July - 7:30pm
Friday 31 July - 7:30pm
Saturday 1 August - 7:30pm

Theatre Works has a lockout policy for latecomers. Please arrive at least 15 minutes early to ensure you don't miss out.
Refunds will not be issued to latecomers.

CREDITS
DIRECTOR
Nadia Tass
LIGHTING DESIGNER
David Parker
SOUND DESIGNER
Daniel Nixon
SET & COSTUME DESIGNER
Ishan Vivekanantham
CAST
Jane Montgomery-Griffiths
Kate Cole
Laila Thaker
STAGE MANAGER
Perri Hobbs
PUBLICITY
Eleanor Howlett, Sassy Red PR
PRODUCED BY
Dianne Toulson
Theatre Works

MEET THE ARTIST
Nadia Tass
Tass’ experience as a director of theatre is extensive and diverse, ranging from improvised theatre, classic plays, contemporary pieces and musical theatre. Early works include productions of “The Merchant of Venice”, “Macbeth”, numerous plays by Euripides including “Medea”, plays by Aristophanes including “Lysistrata” and “The Birds”, “Three Sisters” by Chekhov and “Blood Wedding” by Federico Garcia Lorca.
Most recently, Tass directed “Job” by Max Wolf Friedlich for Red Stitch Actors’ Theatre (2025); “This F***ing Lady” by Maureen Sherlock for Andrew Kay & Associates (2021), and “Wicked Sisters” by Alma De Groen for Griffin Theatre in Sydney (2020). In 2019 she directed “Masterpieces of the Oral and Intangible Heritage of Humanity” by Heather McDonald for Signature Theatre in Washington DC, and “Fern Hill” at 59E59 Theaters in New York City. Both productions were well received, their seasons booked out and extended.
In 2018, Nadia directed David Williamson’s “Sorting Out Rachel” for Sydney’s Ensemble Theatre, followed by Marisa Smith’s “Sex and Other Disturbances” for Portland Stage in Maine, USA; “Fern Hill” by Michael Tucker for New Jersey Rep; and “Ear To The Edge of Time” by Alana Valentine for Sport for Jove at The Seymour Centre in Sydney.
In 2016 Nadia directed “E-Baby” for Ensemble Theatre in Sydney, “Disgraced” for Melbourne Theatre Company, “Extinction” for Red Stitch/GPAC, “The Book Club” for AKA (commercial theatre producers) in Melbourne and London, and “Uncle Vanya” for Red Stitch. 2017 saw her re-stage her acclaimed 2014 production of Annie Baker’s “The Flick” for Queensland Theatre. Amongst other recent work, Tass has directed “Out of the Water”, “The Aliens” and “The Gronholm Method” for Red Stitch, “The Other Place” for MTC, “Promises, Promises” for The Production Company, and “Three Women In An Ice Cream Cone” in London. Her 2002 production of “The Lion, The Witch and The Wardrobe” toured Australia and garnered her a Helpmann Award nomination for Best Director of a Musical.


EXTRAS

Rehearsal Gallery
Take an early sneek-peek into the final rehearsals of Masterpieces of the Oral and Intangible Heritage of Humanity
