One Hundred and Four is a miscalculated dance for three in one hundred movements. It is about the worship of a shoulder, and the disappearance and then reappearance of that shoulder. And then that wrist. It is about how similar the dead look to the sleeping. And about crime scene dioramas. We believe also that it might be connected to former East Bloc fashion model Mrs Melanija née Knavs Trump, and we believe it firmly.
This work was originally commissioned by Underbelly Arts Lab and Festival. It has been supported by the Victorian Government through Creative Victoria, and Zagreb Dance Center.
Presented with support from Phillip Adams BalletLab and Temperance Hall.