2018 Season Program

Upcoming Shows

ABUNDANCE

A THEATRE WORKS FUNDRAISER

We would love for you to join us for Abundance 2018, a night of entertainment and gourmet food – all in support of Theatre Works.

Selling Fast

Frogman

By Curious Directive

At the crossroads of contemporary performance and cutting-edge tech, Frogman is a coming-of-age thriller exploring the fragility of the childhood imagination. Frogman will sweep you up in its wake with pioneering integration of live performance and the 1995 storyline in an immersive 360 degree VR environment.

The Hamlet Apocalypse

BY THE DANGER ENSEMBLE

The HAMLET APOCALYPSE is a dystopia of the now generation, a silent party, a desperate plea, a rambunctious prayer.

Perpetual Frustration Machine

By Stephen Sewell & Zebastian Hunter

The driving forces of human life seem to set us up for perpetual frustration. We want something – desire something – that once obtained disappoints and baffles. The apple is not as juicy, the smart jacket quite as smart, the fast car as fast, the marriage partner quite the fulfillment of your dreams. We thrash about looking for the real thing that seems tantalisingly close but just beyond our reach.

Past Performances

Antigone X

BY ZACHARY DUNBAR

A riotous, queered-up version of one of the greatest Greek tragedies, Sophocles’ Antigone, comes crashing on the shores of St. Kilda and into Theatre Works.

Unknown Neighbours

By Ranters Theatre and Creative VaQi (KR)

Experience Theatre Works through new eyes in this intimate live art experience.

One Hundred and Four: International Society for the Creatively Maladjusted

Concept and Direction: Nana Biluš Abaffy

One Hundred and Three: International Society for the Creatively Maladjusted has been supported by Underbelly Arts Lab and Festival, Creative Victoria and Zagreb Dance Center.

Fierce

By Jane E Thompson
Directed by Alice Darling

Hello, Beautiful

BY HANNIE RAYSON


HELLO, BEAUTIFUL! is a funny, big-hearted, one-woman show performed by one of Australia’s best-loved playwrights. Based on her best-selling memoir, HELLO, BEAUTIFUL! brings you a 60-minutes piece of Hannie Rayson’s sublime comic storytelling – true stories from an adventurous life, spiced with wit, tenderness, social observation and intimacy.

Elegy

BY DOUGLAS RINTOUL

Some stories are more powerful than others. He’s worried his isn’t powerful enough.

Swansong

BY CONOR MCDERMOTTROE

SWANSONG is the story of a lost soul from one of the masters of Irish drama.

The Nightingale and the Rose

By Oscar Wilde

Some kill their love when they are young,
and some when they are old;
some strangle with the hands of lust,
some with the hands of gold:
THE KINDEST USE A KNIFE, because
THE DEAD SO SOON GROW COLD.

Polygraph

By Robert Lepage & Marie Brassard

In this era of Post-Truth Politics, does lying need to be disguised anymore?  Is the notion of truth a reality or only a perception? In POLYGRAPH, truth is on trial just as it is in our current political landscape.

Dybbuks

A CHAMBER MADE WORK
CONCEIVED AND DIRECTED BY SAMARA HERSCH

In Yiddish mythology, dybbuks are the unresolved souls who seek to find form through living bodies. This new work from Chamber Made evokes the many ways that the dead inhabit female bodies through language, voice, memory and desire.

City of Lost Souls

A Theatre Works Extra Event

Presented in cabaret style, The City of Lost Souls is a celebration, a remembering and a homage to the ghosts of our past — people, places, histories, objects, geographies and more! Come along on a ghost-train ride through the haunts of St Kilda. Featuring professional artists and two community choirs (women and teenagers).

To Hell and Back

A Theatre Works Extra Event

Told in five scenes, by two extraordinary performers: Melbourne’s Dimity Shepherd and Adelaide’s Desiree Frahn, Jake Heggie and Gene Scheer’s intimate one-act opera deals with the ravages of spousal abuse – the fall-out after Anne (Dimity) rescues Stephanie (Desiree) from her violent marriage.  Stephanie has written down her story as part of her rehab., and sent a copy to Anne.  Anne struggles to deal with the fact that it was her own son Peter who almost beat Stephanie to death.