Artist Opportunities

Directors Lab: Melbourne 2016

Developed by Theatre Works and presented in partnership with Melbourne Theatre Company and Melbourne Festival

Directors Lab: Melbourne
is an intensive creative laboratory for professional theatre directors from around Australia and the world, taking as its model the long-running Lincoln Center Directors Lab. Following its successful inaugural delivery in 2015, Directors Lab: Melbourne returns in 2016 in partnership with Melbourne Theatre Company and Melbourne Festival.

The 2016 Lab will run from 15-22 October at Melbourne Theatre Company. The theme of the 2016 Lab is DREAM TEAM: Examining collaboration & defining a theatrical and cultural style.

The schedule includes masterclasses, dynamic conversations, investigations, creative explorations and attendance and discussion of works presented by the Melbourne Festival. Directors will be actively involved as participants and presenters of sessions; sharing their skills, methodologies and techniques with a community of national and international directors. This opportunity is open to professional theatre directors and is without charge.

Applications for Directors Lab: Melbourne open Monday 8 August, 2016.

Visit the official Directors Lab: Melbourne website
> Watch the Directors Lab: Melbourne video

Directors Lab: Melbourne is supported by the Ian Potter Foundation, Melbourne Theatre Company and Melbourne Festival

Photo: THE BACCHAE Presented by Fraught Outfit, St Martins, Theatre Works and Melbourne Festival 2015. Photo Sam McGlip

The Mill on the Floss | OpticNerve Performance Group Workshops

Acclaimed Performance Group OpticNerve, led by Director Tanya Gerstle are offering an exciting series of workshops and masterclasses in line with their production of The Mill on the Floss this July.

Workshop Leader Stephen Phillips with Hannah Liddeaux
Dates & Time: August 1-5 // 12pm-4pm
Venue: Theatre Works

This five-day intensive will introduce and explore the Pulse physical performance and theatre-making principles. Working through the fundamental and then more complex layers of the work, participants will embody a shared language enabling them to collaborate and create. Each participant will be challenged to move beyond their habitual performance modes and to extend their physical, vocal and imaginative fluency and clarity within an improvised structure.

This workshop will appeal specifically to actors with an interest and facility in physical acting (body and text) and collaborative artists seeking to challenge their own theatre-making processes.

Cost: $320 Early Bird: $300
Includes:Workshop, watching Pre-Performance Pulse, participation in Tuesday Pulse Jams, Q&A with cast and creatives of The Mill on the Floss. 15 places available only.


Masterclass led by OpticNerve Artistic Director Tanya Gerstle
Dates & Time:
August 8-12 // 12pm-4pm
Venue: Theatre Works

This five-day intensive will give an insight into the Pulse rehearsal process - a physical approach to staging text. Pulse is a kinetic improvisational strategy for working with linear narrative and character to create text-based physical theatre.

This intensive introduces a particular directorial approach to the physical actor and text. It will be of particular interest to directors who can draw from the visceral experience of being an actor and are interested in using their own improvisatory skills in rehearsal to direct text. The Pulse process necessitates the use of performance skills from a director such as, quick and imaginative thinking, physical and imaginative fluency, collaboration, keen observation and the ability to work 'in the moment'. During this Master class participants will experience how to wait, watch, recognize and capture what the actors offer.

During the intensive we will work through several layers of the Pulse rehearsal process. All participants will play one of the characters during the intensive in order to understand what the director is searching for and specifically to aid the director to empathize with the actor.

Cost: $370 Early Bird: $350
Workshop, watching Pre-Performance Pulse, participation in Tuesday Pulse Jams, Q&A with cast and creatives of The Mill on the Floss. 15 places available only.

PULSE JAM For workshop participants and performance ensemble only

Just as musicians come together to have a 'jam' Pulse players who have never met on the performance floor come to this session to improvise together. Armed with a set of shared performance principles they are simultaneously the creators and the creation. This session is a forum to practice skills, find collaborators and invest in your performance fitness. There will be half an hour of guided physical preparation before the Jam begins. The Jam is facilitated rather than taught.

Dates and Times: Tuesday August 2 and Tuesday August 9 // 6-8pm
Venue: Theatre Works

This project has been supported by the City of Port Phillip through the Cultural Development Fund.

The Object is the Score: Masterclass with Duda Paiva

Renowned puppeteer and dancer Duda Paiva (Netherlands) returns to Melbourne to present the highly acclaimed production of BLIND as part of the Festival of Live Art.

In line with this, we are offering a unique opportunity for participants to share his unique performance style in a one day intensive. Explore the link between movement, space, and the object. How impulses can move from the body through the object, into space and back again. How to modulate and characterise that journey through rhythm, shape, and texture. Discover how to maintain separate identities while playing, and how to use your musculature efficiently! A wonderful opportunity for dancers, physical performers, puppeteers and circus artists - both emerging and experienced.

Sunday 13 March
10.30am - 4.00pm
St Martins, 28 St Martins Lane, South Yarra

$150.00 - Masterclass plus ticket to BLIND Presented by Theatre Works, Black Hole Theatre and Duda Paiva Company
$130.00 - Masterclass only


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Theatre Works respectfully acknowledges the Yalukit Willam Clan of the Boon Wurrung who are the traditional custodians of this land. We pay our respect to their Elders, both past and present. We acknowledge and uphold their continuing relationship to this land and extend that respect to other Indigenous Australians who join us at Theatre Works.